The Project Gutenberg EBook of Notes and Queries, Vol. IV, Number 98,
September 13, 1851, by Various

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net


Title: Notes and Queries, Vol. IV, Number 98, September 13, 1851
       A Medium of Inter-communication for Literary Men, Artists,
              Antiquaries, Genealogists, etc.

Author: Various

Editor: George Bell

Release Date: January 3, 2012 [EBook #38491]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES, SEPT 13, 1851 ***




Produced by Charlene Taylor, Jonathan Ingram and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/American Libraries.)

Vol. IV.—No. 98. NOTES AND QUERIES: A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES, GENEALOGISTS, ETC.

VOL. IV.—No. 98.

SATURDAY, SEPTEMBER 13. 1851.

Price Threepence. Stamped Edition, 4d.

CONTENTS.

NOTES:—

QUERIES:—

REPLIES:—

MISCELLANEOUS:—

Notes.

MADRIGALS IN PRAISE OF QUEEN ELIZABETH.

At the close of the reign of Queen Elizabeth, a musical work of an extraordinary character issued from the press of that industrious printer Thomas Este, the history of which it will be my endeavour to elucidate in the present communication. The title-page runs as follows:—

"MADRIGALES. THE TRIUMPHES OF ORIANA, to 5 and 6 voices: composed by divers severall aucthors. Newly published by Thomas Morley, Batcheler of Musick, and one of the gentlemen of hir Majesties honorable Chappell, 1601. In London, Printed by Thomas Este, the assigne of Thomas Morley. Cum privilegio Regiæ Majestatis."

The dedication is addressed—

"To the Right Honorable the Lord Charles Howard, Earle of Notingham, Baron of Effingham, Knight of the Noble order of the Garter, Lord High Admirall of England, Ireland, and Wales, &c., and one of her Majesties most honorable Privie Counsell."

As all that is known, with certainty, of the origin of this work consists in the title-page and the dedication, I shall make no apology for quoting the latter at length:—

"Right Honorable,

"I have adventured to dedicate these few discordant tunes to be censured by the ingenious disposition of your Lordship's Honorable rare perfection, perswading my selfe, that these labours, composed by me and others (as in the survey hereof, your Lordship may well perceive), may not by any meanes passe, without the malignitie of some malitious Momus, whose malice (being as toothsome as the adder's sting), couched in the progres of a wayfayring man's passage, might make him retire though almost at his journeyes end. Two speciall motives have imbouldened me (Right Honorable) in this my proceeding. First, for that I consider, that as the body cannot bee without the shadow, so Homer (the Prince of Poets) may not be without a Zoilist: The second and last is (the most forcible motive), I know (not onely by report, but also by experiment) your Lordship to bee not onely Philomusus, a lover of the Muses, and of learning; but Philomathes, a personage always desirous (though in all Arts sufficiently skilfull) to come to a more high perfection or Summum bonum. I will not trouble your Lordship with to to [sic] tedious circumstances, onely I humbly intreat your Lordship (in the name of many) to patronage this work with no lesse acceptance, then I with a willing and kinde hart dedicate it. So shall I think the initium of this worke not onely happely begun, but to bee finited with a more happie period.

"Your Honour's devoted in all dutie,

"THOMAS MORELY."

The Triumphs of Oriana consists of twenty-five madrigals, set by the most eminent musicians of the day, and edited (as the title-page and dedication show) by Thomas Morley, a most "rare and cunning musician," and moreover an especial [186] favourite with the reigning queen, in whose honour the work is said to have been composed.

Sir John Hawkins, in his History of Music, vol. iii. p. 406., says the "occasion" of the publication of The Triumphs of Oriana was this:

"The Lord High Admiral, Charles Howard, Earl of Nottingham, was the only person, who, in the last illness of Elizabeth, could prevail on her to go into and remain in her bed; and with a view to alleviate her concern for the execution of the Earl of Essex, he gave for a prize-subject to the poets and musicians of the time, the beauty and accomplishments of his royal mistress, and by a liberal reward, excited them severally to the composition of this work. This supposition is favoured by the circumstance of its being dedicated to the Earl, and the time of its publication, which was the very year that Essex was beheaded. There is some piece of secret history which we have yet to learn, that would enable us to account for giving the Queen this romantic name; probably she was fond of it. Camden relates that a Spanish ambassador had libelled her by the name of Amadis Oriana, and for his insolence was put under a guard."

Dr. Burney, in his sketch of the Life of Thomas Morley (General History of Music, vol. iii. p. 101.), speaking of this work, says,

"As Italy gave the ton to the rest of Europe, but particularly to England, in all the fine arts, during the reign of Queen Elizabeth, it seems as if the idea of employing all the best composers in the kingdom to set the songs in The Triumphs of Oriana to music, in honour of our virgin queen, had been suggested to Morley and his patron, the Earl of Nottingham, by Padre Giovenale, afterwards Bishop of Saluzzo, who employed thirty-seven of the most renowned Italian composers to set Canzonetti in honour of the Virgin Mary, published under the following title: Tempio Armonico della Beatissima Virgine nostra Signora, fabbricatole per opera del Reverendo P. Giovenale, A. P. della Congregatione dell' Oratorio. Prima Parte, a tre voci, Stampata in Roma da Nicola Mutii, 1599, in 4to."

That by Oriana is meant Queen Elizabeth, there can be but little doubt. The appellation surely does not countenance the supposition that there "must be some secret piece of history" in the case. Queen Elizabeth, we all know, was a woman of inordinate vanity. Even at the age of three score and ten she delighted in the names of Cynthia, Diana, and such like; and Oriana, who was the heroine of the well-known romance Amadis de Gaul, and a lovely and virtuous woman to boot, could not fail to gratify her. How D'Espes, the Spanish ambassador, could libel her under the double title of Amadis Oriana, it is difficult to imagine; but so it was, according to Camden (anno 1569). "Libellos famosos spargit, in quibus Reginæ existimationem contumeliosè atterit sub nomine Amadis Orianæ."

The pretty sounding tale related by Sir John Hawkins, that the work in question was undertaken with a view to alleviate the grief of the queen for the death of the Earl of Essex, and that prizes were given by the Earl of Nottingham for the best composition for that purpose, is entirely without foundation. Sir John Hawkins gives no authority for his statement, and I believe it rests entirely upon conjecture.

The Triumphs of Oriana (as we have seen) was printed at London in the year 1601. In the same year was published at Antwerp a collection of madrigals with the following title: Il Trionfo di Dori, descritto da diversa, et posti in Musica, da altretranti Autori a Sei Voci, In Anversa, Appresso Pietro Phalesio, 1601. From the date of these two collections, it appears almost impossible that either should have been an imitation of the other; and yet, by an extraordinary similarity in point of style, number, variety of composers, and burthen of the poetry, there can be but little doubt such was the case. The point will be therefore to ascertain if either of these works was printed previously to this date, 1601. I have no doubt that the Orianas is the first and only edition of the work. On the other hand, there is good reason (from a variety of circumstances) to suppose that the copy of Il Trionfo di Dori with this date will turn out to be the second edition.

The poetry (if such it can be called) of the Orianas is a paraphrase of Il Trionfo di Dori. The Italian burden or conclusion is always—

And the English version:

Mr. Oliphant, in his collection of poetry entitled La Musa Madrigalesca, is perhaps not far wrong when he says that the rhymes of the Orianas would "disgrace the veriest tyro in Grub Street;" but, nevertheless, I have extracted a few specimens, premising that they are the best I could find among the "twenty-five":—

Now a question arises, who was the Bonny-boots mentioned in the two last-quoted madrigals?

Sir John Hawkins has the following hypothesis:

"Bonny-boots seems to be a nick-name for some famous singer, who, because of his excellent voice, or for some other reason, had the permission to call the queen his lady. Possibly the person meant might be one Mr. Hale, of whom mention is made by Sir William Segar, in his account of a solemn tilt, or exercise of arms, held in the year 1590 before Queen Elizabeth, in the Tiltyard at Westminster, with emblematical representations and music, in which the above-mentioned Mr. Hale performed a part, by singing a song, &c. Sir William Segar also says of this person, that he was her majesty's servant, a gentleman in that art excellent, and for his voice both commendable and admirable."—Hist. of Music, vol. iii. p. 406.

Some gallant, high in favour with the Lady Oriana (Queen Elizabeth), is evidently alluded to in these madrigals; but I cannot agree with Sir John Hawkins, that a public singer like Mr. Hale would be permitted "to call the queen his lady." The idea is too absurd for a moment's consideration. Another conjecture is, that the individual designated Bonny-boots was the Earl of Essex; but I shall here quote two extracts from a curious and rare work published by Thomas Morley in 1597, and entitled "Canzonets, or Little Short Aers to Five and Six Voices: Printed by Peter Short," &c.:—

The conjecture that Bonny-boots was the Earl of Essex at once falls to the ground; for he was not beheaded till 1601, and the title-page of Morley's Canzonets bears date 1597.

That some conceit relative to the Lady Oriana existed long before the appearance of The Triumphs, is evident. Although the latter work was not published till the year 1601, yet in 1597 the idea had been acted upon by Nicholas Yonge in his Second Book of Musica Transalpina; for therein is the well-known madrigal by Giovanni Croce from Il Trionfo di Dori, adapted to the English words, "Hard by a crystal fountain," and ending with the burden, "Long live fair Oriana." Dr. Burney (Hist. of Music, vol. iii. p. 124.) says, that according to Hearne, a madrigal beginning with these words used annually to be sung by the fellows of the New College, Oxon, but he was unable to find it. Other madrigals in praise of Oriana may be found in Bateson's First Set of Madrigales, 1604; Pilkington's First Set of Madrigales, 1613; and in Vautor's First Set of Songes, 1619.

The publication of madrigals in praise of Queen Elizabeth, after her death, may be easily accounted for. They were (it is evident upon examination) originally composed with the others, but sent too late for insertion in the set; after which their respective composers had no opportunity of publishing them until the dates above given.

The conclusion then I arrive at is this, that Il Trionfo di Dori was printed in Italy (most probably at Rome) between the years 1588 and 1597; that N. Yonge procured a copy of it from thence (as may be inferred from his Preface), and from it published Croce's madrigal. This copy was most probably seen by Thomas Morley, and gave him the idea of his Triumphs of Oriana. Morley was at this time an especial favourite with the queen, who had recently rewarded him with "a faire gold chaine." An offering then like the Orianas could not fail of being acceptable to the vanity of Elizabeth, who, even at the age of sixty-eight, was extremely susceptible of flattery—especially when directed towards her person. It doubtless had the desired effect, and secured for Morley the patronage of the queen and the principal [188] nobility. The publication of this work is thus easily explained without the intervention of any "secret piece of history."

EDWARD F. RIMBAULT.

MS. NOTES IN A COPY OF LIBER SENTENTIARUM.

As MS. notes in old books have been regarded as fit matter for this journal, I would contribute two or three from a copy of Peter Lombard's Book of Sentences, printed at Vienna in 1477. This has not only passed through divers hands before it came into mine, but several previous owners have left their names in it, and one of them very numerous marginal comments. Of these the earliest appears to have been Thomas Wallwell or T. Swallwell, a monk of Durham, who, from the handwriting, which is of the fifteenth century, I conclude was the marginal commentator. He has availed himself of the "Laus Deo" below the colophon to add "q' Ts. Wallwell monachus ecclesiæ cathedralis Dunelmensis." The words are abbreviated, but I have given them at length except the first, which, instead of being a q, with a comma, is a q with an oblique line through it, that I thought might baffle the printer. The comments are very scholastic, and such as would then have been considered much to the purpose. It is possible some reader of this journal may be able to supply information respecting this erudite monk.

The next owner, judging by the handwriting, which seems little, if at all, later than 1500, has thus recorded his ownership on the blank side of the last leaf:

He was probably a priest, but I have discovered no annotations by him; though, as there is scarcely a page without writing on it, there may be some.

However, the note to which I would more particularly invite attention is at the top of the first page, and in the handwriting, I think, of the above-mentioned monk. It is in abbreviated Latin, but read in extenso it runs thus:

"Sententiæ Petri Lumbardi fratris Graciani qui decretum compilavit, et etiam Petri Comestoris, qui scholasticam historiam edidit et alia. Iste Petrus Lumbardus fecit istud opus, edidit glossas psalterii et Epistolarum et plura alia. Fuit etiam episcopus Parisiensis. Isti tres fratres uterini erant, et floruerunt anno salutis 1154, qui fuit annus ab origine mundi 6353."

Over the word Graciani is interlined "monachi" in the same hand. In this statement two things are remarkable:—1. The allegation that these three well-known writers of the twelfth century were uterine brothers. 2. The mundane era. The former is hardly reconcileable with the generally received account of them, but it is not altogether new. Cave, writing of Gratian, adverts to a story of their having been brothers in the following words:

"Non desunt plurimi qui Gratianum, Petri Lombardi, Petrique Comestoris germanum fuisse volunt, matremque tergeminos hos fratres ex furtivo concubitu conceptos uno partu edidisse, quod quidem nullo satis gravis autoris testimonio fulcitur."—Scriptores Eccl., vol. ii. p. 216.

I am not going to advocate this story, for it is most likely false; and the monk's statement may not be correct; but as it is less improbable, it may be worth recording. Peter Lombard died in 1164. Gratian completed the Decretum about 1151, and probably survived some years, but I have not met with the date of his death. Peter Comestor died in 1198. They may therefore have all been contemporaries, though the last must have lived to a good old age, unless he were considerably younger than the others.

With regard to the mundane era by which the writer computed, it will be found to differ materially, not only from that now in common use among ourselves, but also from all that are mentioned by Sir H. Nicolas in his Chronology of History; for it assumes the Nativity to have occurred in the year of the world 5199. This, however, agrees with what appears to have been recognised as the era of the creation by the western churches from about the beginning of the fifth century (see De Vaine's Dictionnaire Raisonné de Diplomatique, voce Comput), though from some cause it seems to have been almost overlooked by modern writers in this country.

I have not attempted to explain the "q̵" before Ts. Wallwell. It may have meant "quoth," or "quæsit;" but I am not satisfied with anything that has occurred to me. It stands thus:

"Ts." for Thomas is not usual, but those are clearly the letters: I have tried to read the "s" (which may have been meant for a capital) with the surname, but Swallwell is a stranger cognomen than that I have attributed to the monk. Some correspondent conversant with Durham may possibly recognise the name in one of its forms.

W. S. W.

Temple.

CLASSIFICATION OF LITERARY DIFFICULTIES.

Whatever may be the utility of your publication as a source of information to individuals, each on his own point of difficulty, there is a purpose, and one of its greatest ultimate purposes, which it must one day answer, though not immediately—I mean the furnishing of materials for general conclusions on the difficulties of literature. The queries which [189] are sent to you are those which an author must put to himself in his closet; the manner in which others help him shows the manner in which he ought, if he could, to help himself. Occasionally, the querist betrays a want of power to reduce his own difficulty to its proper category; occasionally, also, the respondent fails to grapple with the real point. All this is instructive, and reconciles those who are instructed by it to the presence of many things which seem trivial or out of place to those who do not consider the nature of the whole undertaking. But the instruction I speak of will be much augmented in quantity and elevated in character, if ever the time should come when the mass of materials collected finds an architect to arrange it. The classification of the obstacles which an inquirer meets with, so treated as to give a view of the causes of difficulty as they arise, both from the state of our books, and of our modes of using them, must surely one day suggest itself as a practicable result of the "NOTES AND QUERIES." The more this result is insisted on the more likely is it to be realised; and though it may need twenty volumes of the work to be completed, or even more, before anything can be done, the mere suggestion may induce some of your readers to keep an eye upon your pages with a view to something beyond current matter.

M.

Minor Notes.

Meaning of "Ruell."

—In the "Rhime of Sir Thopas" Chaucer says:

Translated by Z. A. Z.:

Tyrwhitt says:

What kind of material this was, I profess myself quite ignorant.

"In the Turnament of Tottenham, ver. 75. (Anc. Poet., vol. ii. p. 18.), Tibbe is introduced with 'a garland on her head full of ruell bones.' The derivation in Gloss. Urr. of this word from the French riolé, diversely coloured, has not the least probability. The other, which deduces it from the French rouelle, rotula, the whirl-bone or knee-pan, is more plausible; though, as the glossarist observes, that sense will hardly suit here."—Chaucer, by Thomas Tyrwhitt, Esq. Pickering: London, 1830.

And its Glossary says:

"RUELL BONE, f. of the French word riolé, that is, diversely colored: an Antistæcon in many words derived from another language; as, in Law from Loy, and Roy from Rex."

So far the printed attempts at explaining this term ruell. May I submit for the consideration of your readers, that it is related to the French adjective rouillé, rusty; used by Molière in the form enrouillé. Evidently this has affinity to ruber, rouge, and red. So that Tibbe's garland would be of tortoise-shell combs: and the saddle would be of a similar nature.

La Ryole is found as the name of the tenement occupied by Thomas le Bat (temp. Ed. III.?) Was this the sign of "The Comb," which is so often seen in the windows of our present shops?

J. W. P.

Curious Facts in Natural History (Vol. iii., pp. 166, 398.).

—In St. Lucia a coleopterous insect is found with a small plant growing directly from the back. I have myself seen it; but the plant consisted merely of the first two leaflets.

E. H. B.

Demerary.

Queries.

PAPAL BULLS, ETC.

A correspondent (S. P. H. T.) inquires, 1. Has there been any authorised collection of Papal Bulls, Breves, Encyclical Letters, &c., published since the beginning of the present century?

2. If not, has there been any authorised list of those addressed to the Roman Catholic Church in England or Ireland?

3. What bulls have, during the last century, been published against Bible Societies, &c., and where will I find authorised copies of them, more particularly those of Pope Pius VII., bearing date 29th June, 1816, and directed to the Primate of Poland; that of 18th September, 1819, against the circulation of the Scriptures in the Irish Schools; that of Leo XII., dated 3rd May, 1824, directed to the Irish clergy, which last is the latest I am acquainted with?

4. What authority is there for using the "Form of receiving Converts from the Church of Rome," as published by the British Reformation Society? Does it occur in any edition of the Book of Common Prayer?

5. What authority is there for the occasional services of 5th November, 30th January, 29th May, and 20th June? Some of these are, I am aware, specially directed by act of parliament; but the point upon which I wish to obtain information is, what the precise amount of obligation is that exists on the officiating minister to use or neglect the services in the absence of any specific directions on the matter from his Ordinary?

6. What authority is there for the use of the Gloria immediately after the minister's announcing [190] the Gospel. No rubric now appears to recognise it?

7. At what period did the practice of playing "a voluntary" upon the organ during the collection of the alms originate? And what is the earliest record of the alms being collected after the communion service and before the sermon, and not after the prayer for the Church Militant?

S. P. H. T.

[The Editor will be happy to insert a reply pointing out sources of information. It is obvious that this is all which the limits of the work and the claims of other correspondents and readers will allow, when questions are proposed which contain many, and some of them difficult and disputed, points.]

SIR WALTER RALEIGH IN VIRGINIA.

I remember having read, some time ago, a statement in the public prints, to the effect that the popular belief, as to Sir Walter Raleigh having visited Virginia, was unfounded: the fact being, that he had projected such a voyage, and that the vessels equipped by him for that purpose had actually reached that country; but that the illustrious voyager himself was prevented by some circumstance from conducting the expedition. This statement seemed to have been elicited by one of the subjects proposed for the decorations of the new Houses of Parliament, namely, "Sir Walter Raleigh landing in Virginia," and the idea was exploded with so much assurance that I had ceased to give it any credence. I find, however, in Hallam's Literature of Europe, 2nd edition, vol. iii. p. 179., that the fact of Sir Walter's having been in Virginia is relied upon by that historian, in the following passage:

"Harriott, the companion of Sir Walter Raleigh in Virginia, and the friend of the Earl of Northumberland, in whose house he spent the latter part of his life, was destined to make the last great discovery in the pure science of algebra."

Are there any data to support Mr. Hallam's opinion? Such is his general accuracy, that few would be disposed to question any statement deliberately put forward by him. In this instance, however, he may have adopted, without inquiry, the tradition which has been current for the last two hundred and fifty years.

HENRY H. BREEN.

St. Lucia, July, 1851.

Minor Queries.

134. Wife of St. Patrick.

—Will some one of your Irish contributors inform me when the 18th of March began to be celebrated in honour of S. Sheelagh, and the ground on which it is asserted that she was the wife of St. Patrick? I cannot find that St. Patrick was married; I am aware, however, that the silence of the usual authorities goes but a little way to disprove the popular tradition, as in days when women were but beginning to assume their present equable station, the mention of a wife at any time would be only casual.

W. DN.

135. Meaning of Mop.

—In the midland counties, servants are hired by the year in the following manner. On the several Tuesdays about Michaelmas, all who wish for engagements collect together at the different towns and villages, whither the masters resort for the purpose of hiring them. Those meetings which occur previous to Michaelmas day are called statute-fairs, while those which take place after that day are termed mops. Query, What is the derivation of this word? I have been told that the later assemblies are so called because they consist of the inferior servants who were not engaged before,—such as use a mop instead of sweeping clean and scouring. A friend conjectures that the name implies "an indiscriminate mopping-up of all sorts, the greater number of servants having gone before, and there being only a few left." I have no book to which I can refer for information on this subject.

J. H. C.

Adelaide, South Australia.

136. William Lovel of Tarent Rawson.

—In Hutchins's Dorset, vol. i. p. 91., is a pedigree of Lovel of Tarrant Rawson carried back to the later years of Hen. VII. In that genealogy the first person is described as William Lovel of Tarent Rawson, alias "Antiocheston." Under what circumstances did he come by this cognomen? Was he connected with any branch of the house of Yvery, and in what manner?

The arms are Barry nebulé of six O. and G., quartering 2. Arg. a cheveron G. between three ermines; 3. Erm. a cheveron sab.; 4. Erm. on a chief indented G. three ducks A.

Crest: a fox az. bezanté collared with a coronet O.

AMANUENSIS.

137. Cagots.

—Can any of your readers give me any information about the Cagots in the south of France, whose history has been written by Mons. Michel, in a work entitled Sur les Races Maudits? There seems to be great doubt about their origin; are they remnants either of the Saracens or the Paulicians? They still, I am told, exist in the deep Pyrenean vallies, and are a most degraded race. Is there any analogy between them and the Cretins of the Alps, with the difference, that in the Alps Cretinism is regarded with kindness, in the Pyrenees with scorn? If so, does this point to the existence of a Celtic and non-Celtic element in the races inhabiting the respective mountain chains? idiotcy being reverenced especially among the Celtic races. Then, [191] as before the first French revolution, the Cagots had a particular place and door set apart for them in the churches. Does not this look like their being Paulicians forced into orthodoxy, or equally, perhaps, Saracen Christians, similar to the Jew Christians of Spain?

RUSTICUS.

138. Execution under singular Circumstances.

—I have read somewhere, but failed to "make a note of it" at the time, an anecdote of a singular occurrence at Winchester, to the following effect.

Some years ago a man was apprehended near ——, in Hampshire, charged with a capital offence (sheep-stealing I believe). After being examined before a justice of the peace, he was committed to the county gaol at Winchester for trial at the ensuing assizes. The evidence against the man was too strong to admit of any doubt of his guilt; he was consequently convicted, and sentence of death (rigidly enforced for this crime at the period alluded to) pronounced. Months and years passed away, but no warrant for his execution arrived. In the interval a marked improvement in the man's conduct and bearing became apparent. His natural abilities were good, his temper mild, and his general desire to please attracted the attention and engaged the confidence of the governor of the prison, who at length employed him as a domestic servant; and such was his reliance on his integrity, that he even employed him in executing commissions not only in the city, but to places at a great distance from it. After a considerable lapse of time, however, the awful instrument, which had been inadvertently concealed among other papers, was discovered, and at once forwarded to the high sheriff, and by the proper authority to the unfortunate delinquent himself. My purpose is brief relation only; suffice it to say the unhappy man is stated under these affecting circumstances to have suffered the last penalty of the law.

Query, Can any of your readers inform me if this extraordinary story is founded on fact?

M. W. B.

139. Rhynsault and Sapphira.

—Whence did Steele derive the story of these personages in the Spectator (No. 491.)? A similar story is told by Jeremy Taylor, from John Chokier (Duct. Dubit., book iii. chap. ii. rule 5. quæst. 3.); and that of Colonel Kyrke furnishes another parallel.

A TR.

140. Mallet's Second Wife.

—I should be glad to know in what year the second wife of Mallet died. It is stated that he returned from abroad shortly before his death, without his wife.

F.

141. Proverb, what constitutes one?

—What distinguishes a proverb, and is essential to its being such, as distinct from a short familiar sentence?

QUERE.

142. Presant Family.

—Any information respecting the ancient family of Presant, which is now nearly extinct, will oblige

SYLLA.

143. The Serpent represented with a human Head.

—Is Raphael the only painter who depicts the serpent with a human head tempting Eve? and what is the origin of the legend?

G. CREED.

144. Dr. Wotton.

—Is there any genealogical connexion between Sir Henry Wotton, the Venetian ambassador, and the Rev. Henry Wotton of Suffolk, father of the eminent Dr. William Wotton? And where is the pedigree to be found?

S. W. RIX.

Beccles.

145.Κολοβοδάκτυλος.

—In the seventh book of Origen's Philosophumena, chap. xxx., speaking of Marcion, the writer says:

"When therefore Marcion, or any of his currish followers, barks at the Demiurgus, bringing forward these arguments about the opposition of good and evil, they must be told that neither the Apostle Paul, nor Mark ὁ κολοβοδάκτυλος (i.e. the stump-fingered), promulgated any such doctrines; for nothing of the kind is found written in the Gospel according to Mark."

Is this epithet of Mark the Evangelist mentioned by any other of the fathers, or is it known how it originated? It is also to be remarked that Luke, not Mark, according to the received opinion, was the evangelist whose authority Marcion admitted, and whose text he tampered with to suit his own views. Is Origen supported in his account of the matter by any other writer?

C. W. G.

146. Essex's Expedition to Ireland.

—It is a matter of history that the celebrated Earl of Essex in Queen Elizabeth's time left London in March 1599, in command of a great expedition against Ireland, accompanied by a numerous train of nobility and gentry and other retainers.

At what office and to what quarter is one to apply for the purpose of discovering the Muster Roll made upon that occasion? There must be some documents, bills, letters, &c., relating to that expedition, the object of the querist being to ascertain whether his own name, "Jackson," can be found in any of these documents, as he has reason to think that any ancestor of his was one of the battle-axe guards in Dublin at that period.

J.

147. Decretorum Doctor.

—Is this title given at either of our universities? And what is its precise meaning? It not uncommonly occurs in the documents of the fifteenth and sixteenth centuries, and that it is not the same as Doctor of Laws may be concluded from the following examples:—The publication of a Pope's Bull by the Bishop of London, in the chapel of his palace in London on May 16, 1503, is stated to have been made "Præsentibus [192] tunc ibidem, Venerabilibus viris, Willielmo Mors, et Johanne Younge, Legum, et Thoma Wodyngton, Decretorum, Doctoribus, Testibus," &c. (Rymer, xiii. 61.) And in Wood's Athen., 1845 (ii. 728.), we find the same "Tho. Wodynton, decr. doctor," collated to the church of St Mary le Bow, on the resignation of the same "Joh'is Yonge, LL.D." on May 3, 1514.

Φ.

148. Grimsdyke or Grimesditch.

—If you do not deem the following Query too trifling for your most invaluable publication, I should be much obliged if you would insert it, in hopes some of your antiquarian correspondents may find something to say on the point.

From near Great Berkhampstead, Hants, to Bradenham, Bucks, about fifteen miles (I write from memory), runs a vallum or ditch, called Grimsdyke, Grimesditch, or the Devil's Dyke: it is of considerable boldness of profile, being in some places twelve or fourteen feet from the crest of the parapet to the bottom of the ditch; it keeps within two miles of the crest of the Chiltern Hills, and is passingly mentioned in Lipscombe's History of Bucks, and in the commencement of Clutterbuck's History of Hertfordshire. Are there other earthworks of the same name (Grimsdyke) in England; and what was their former use? This one in question, from its total want of flank defence, could hardly hold an enemy in check for long; nor does it seem to have been a military way connecting detached forts, as, though there are earthworks (camps) on either side, it seems to hold a tolerably straight course independent of them. And, lastly, about the etymology of the word:—I find, in Bosworth's Anglo-Saxon Dictionary, among a host of other meanings:

"GRIMA, ghost, phantom, witch, hag."

I may mention that there is the tradition about the dyke, common to most works of the sort, that it was "done by the Devil in a night."

NAUTICUS.

H.M.S. Phaiton, Lisbon, Aug 25.

149. Passage in Luther.

—In Luther's Responsio ad librum Ambrosii Catharini, where he attacks the confessional, he says:

"Cogit etiam papa peccata suarum legum confiteri—ad hæc tot peccatorum differentiis, speciebus, generibus, filiabus, nepotibus, ramis, circumstantiis," &c.

Were these expressions merely jocular, or have any papal canonists or casuists given the title of filiæ, nepotes or rami to offences deducible from the same root?

H. W.

150. Linteamina and Surplices.

—What is the meaning of linteamina to be met with in the writings of ecclesiologists of a past age, and in the canonists?

At what date did the surplice first become an ecclesiastical vestment, and what are the differences discernible in the surplices of the Greek, Latin, and English churches?

J. Y.

Minor Queries Answered.

Ellrake or Hellrake.

—Can you kindly give me any information respecting the word ell-rake or hell-rake (for I know not which it is), an agricultural implement in frequent use? It is not alluded to in Todd's Johnson's Dictionary, 1818.

VASHTI.

[In Shropshire an ell-rake means a large rake: an ellock-rake, a small rake used for breaking up ant-hills.]

Francis Clerke.

—I have now before me a MS. in small folio on paper, pp. 225., besides index, entitled—

"Pro Curatorium ac Modus postulandi in Curijs et Causis ecclesiasticis Auct'at'e reverendissimi in Christi patris ac D̅mi D̅mi Johannis providentia Divina Cantuariensis Archiepiscopi, totius Anglie Primats et Metropolitani Londoni celebrā que communiter Curie de Arcubus appellantur. Per Franciscum Clerke, Alme Curie de Arcubus procuren' collecta et edita."

Who was Francis Clerke; and was this collection ever published, and when?

S. P. H. T.

[Francis Clerke for about forty years practised the civil law in the Court of Arches, Admiralty, Audience, Prerogative, and Consistorial of the Bishop of London. In 1594, the Oxford University conferred upon him the degree of Bachelor of Civil Law. His principal work, entitled Praxis curiæ Admiralitatis Angliæ, passed through several editions. A short notice of the author will be found in Wood's Athenæ, i. 657. (Bliss), and a list of his other works in Watt's Bibliotheca Britannica.]

Nine Days' Wonder.

—Did any particular circumstance give rise to the saying, "A nine days' wonder?"

W. R. M.

[Most probably Kemp's Nine Daies Wonder, performed in a Morrice Daunce from London to Norwich, wherein euery dayes iourney is pleasantly set downe, to satisfie his friends the truth against all lying ballad-makers; what he did, how he was welcome, and by whome entertained.—This very curious tract has been reprinted by the Camden Society.]

Streso.

—In a book by Cradock on the Lives of the Apostles, published in 1641, I find many extracts and quotations in Latin from Streso in Pref. de Vit. Apostolorum. As I cannot find out or hear of such an author or book of Streso, could you inform one who he was?

LINCOLNIENSIS.

[The work is in the Bodleian Library: "Streso (Casp.), Anhaltinus, Commentarius practicus in Actorum Apostolicorum per Lucam Evangelistam descriptorum capita priora sedecim. 4to. Amst. 1650." The same library contains five other works by this author.] [193]

The Willow Garland.

—In the Third Part of King Henry VI. (Act III. Sc. 3.), the Lady Bona sends this message to King Edward, uttered, as the messenger afterwards reports to him, "with mild disdain:"

As I find no note upon the willow garland in any edition of Shakspeare to which I have access, I should be obliged by having its meaning explained in your columns.

ARUN.

[The willow is considered as the emblem of despairing love, and is often associated with the yew and the cypress in the churchyard: hence, a garland made of the boughs of the willow was said to be worn by forlorn lovers. In Much Ado about Nothing, Act II. Sc. 1., Benedick says,—"I offered him my company to a willow-tree, either to make him a garland, as being forsaken, or to bind him up a rod, as being worthy to be whipped."]

Name of Nun.

—Can any of your readers inform me on what principle it is that the name of Nun (כוּן), the father of Joshua, is expressed in the Septuagint by ναυῆ? I cannot help regarding the substitution of αυῆ for וּן as a very singular circumstance, more especially as it seems impossible to account for it by the conjecture that כ had been mistaken by the LXX for any letter that would be likely to be represented in Greek by ῆ. There are but few proper names in the Hebrew Scriptures that terminate in וּן; and the way in which these are expressed in the Septuagint affords, I believe, no analogy to the above case.

QUIDAM.

Gillingham.

[The explanation usually given, after Gesenius, is that early copyists mistook ΝΑΥΝ for ΝΑΥΗ; and as some MSS. have Ναβί and Ναβή, it is supposed that later copyists thought that it was the Hebrew כביא.]

"M. Lominus, Theologus."

—Is there any printed account of this divine, or of a work on the Pelagian and Manichæan heresies which he published at Ghent in 1675?

S. W. RIX.

Beccles.

[The Bodleian Library contains a work by M. Lominus, entitled, Blakloanæ Hæresis Historia et Confutatio. 4to. Gandavi, 1675.]

Replies.

REMARKS UPON SOME RECENT QUERIES.

1. Without wishing to protract the discussion about eisell, let me tell the correspondent who questioned whether wormwood could be an ingredient in any palatable drink, that crême d'absinthe ordinarily appears with noyau, &c. in a Parisian restaurateur's list of luxurious cordials. Whilst that eisell was equivalent to wormwood is confirmed by its being joined with gall, in a page of Queen Elizabeth's book of prayers, which caught my eye in one of those presses in the library of the British Museum, where various literary curiosities are now so judiciously arranged, and laid open for public inspection.

2. As a decisive affirmation of what rack meant, where the word was the derivative of the Saxon pecan, your correspondents may accept the following from our martyr, Frith's, Revelation of Antichrist. He renders the second clause of 2 Peter ii. 17., "And racks carried about of a tempest;" and he immediately adds, "Racks are like clouds, but they give no rain."

3. In answer to MR. BREEN'S inquiry where there is any evidence from the writings of Gregory I., that he could be so shameless as to panegyrise that female monster Queen Brunéhaut, he may read some of that Pope's flattering language in his letter addressed to her on behalf of that Augustine whom he sent to England, as contained in Spelman's Concilia. Epist. xvii. (Brunichildæ, Reginæ Francorum) begins as follows:

"Gratias omnipotenti Deo referimus, qui inter cætera pietatis suæ dona, quæ excellentiæ vestræ largitus est, ita vos amore Christianæ religionis implevit, ut quicquid ad animarum lucrum, quicquid ad propagationem fidei pertinere cognoscitis, devota mente et pio operari studio non cessetis.... Et quidem hæc de Christianitate vestra mirentur alii, quibus adhuc beneficia vestra minus sunt cognita; nam nobis, quibus experimentis jam nota sunt, non mirandum est, sed gaudendum."—Spelm. Concil. p. 82.

And in Epist. xi.:

"Excellentia ergo vestra, quæ prona in bonis consuevit esse operibus."—Id. p. 77.

4. The etymology of Fontainebleau (Vol. iv., p. 38.). I can only speak from memory of what was read long ago. But I think that in one of Montfaucon's works, probably Les Monumens de la Monarchie Française, he ascribed the origin of that name to the discovery of a spring amongst the sandy rocks of that forest by a hound called Bleau, to the great satisfaction of a thirsty French monarch who was then hunting there, and was thereby induced to erect a hunting-seat near the spring.

5. To A. B. C. (Vol. iv., p. 57.), your questionist about the marriage of bishops in the early ages of the Christian church, who has had a reply in p. 125., I would further say, that as we have no biographies describing the domestic life of any Christian bishop earlier than Cyprian, who belonged to the middle of the third century, it is only incidentally that anything appears of the kind which he inquires after. It would be enough for the primitive Christians to know that their scriptures said of marriage, that it was honourable in all; though such as were especially exposed to [194] persecution, from their prominence as officers of the church, would also remember the apostle's advice as good for the present distress, 1 Cor. vii. As, however, your correspondent asks what evidence there is that Gregory Nazienzen's father had children after he was raised to the episcopate, this fact is gathered from his own poem, in which he makes his father say to him, "Thy years are not so many as I have passed in sacred duties." For though these sacred duties began with his admission into the priesthood, he was made a bishop so soon afterwards, that his younger son, Cæsarius, must at any rate be held to have been born after the elder Gregory became a bishop.

Curiously enough, however, good evidence appears in the papal law itself, that the marriages of ecclesiastics were not anciently deemed unlawful. In the Corpus Juris Canonici, or Decretum aureum, D. Gratiani, Distinctio lvi. canon 2., which professes to be a rescript of Pope Damasus (A.D. 366-84), says:

"Theodorus papa filius [fuit] Theodori episcopi de civitate Hierosolyma, Silverius papa filius Silverii episcopi Romæ—item Gelasius, natione Afer, ex patre episcopo Valerio natus est. Quam plures etiam alii inveniuntur: qui de sacerdotibus nati apostolicæ sedi præfuerunt."

To which Gratian attaches as his own conclusion:

"Hine Augustinus ait, Vicia parentum Filiis non imputentur."

Thereby throwing a slur on the said married bishops. But can. xiii., or Cænomanensem, of the same Distinctio, says:

"Cum ergo ex sacerdotibus nati in summos pontifices supra legantur esse promoti, non sunt intelligendi de fornicatione, sed de legitimis conjugiis."

I will only add that Athanasius mentions a Bishop Eupsychius (Primâ contra Arianos) who was martyred in the reign of Julian, and that the historian Sozomen says of him (Eccl. Hist., lib. v. ch. 11.), that when he suffered he had but recently married, καὶ οἷον ἔτι νυμφίον ὄντα.

H. WALTER.

DOMINGO LOMELYNE.
(Vol. i., p. 193.)

As it is not to be met with in a regular way, your correspondent may be ignorant that Domingo Lomelyne was progenitor of the extinct baronets LUMLEY, his descendants having softened or corrupted his name into an identity with that of the great northern race of the latter name. They, however, retained different coat-armour in the senior line, bearing in common with many other English families of Italian, Champaigne, and generally trans-Norman origin, "a chief." Guido de St. Leodigaro and one Lucarnalsus are the earliest heroes to whom I find it assigned; but Stephen, son of the Odo, Earl of Champaigne (whence Fortibus, Earl of Albemarle), also brought it to England at a very early period; and thence from the Holderness annex of de Fortibus (in spite of the allegations in Wott. Bar., i. 189.), Worsley perhaps copied it. The old Lumley or Lomelyne accounts connect it with the city of Naples. Your correspondent will find that Domingo Lomelyne was a Genoese, and of the bedchamber to Henry VIII.; that he maintained at his own cost, and commanded, a troop of horse at Boulogne in the same reign, and had a pension of 200l. per annum from Queen Elizabeth in 1560. If any of your corespondents can give me the junior ramifications of this family diverging from the son and grandson of Domingo, I shall feel much obliged, provided that James Lumley, living 1725, who married Catherine Hodilow, can be satisfactorily linked with James, the son of Domingo. James and Martin were the family names, and the family was settled in London and Essex.

WM. D'OYLY BAYLEY.

PETTY CURY.
(Vol. iv., pp. 24. 120.)

Having noticed in a recent number some rather various derivations of the name "Petty Cury," which one of the streets in Cambridge bears, I have been led to examine the word "Cury," and think that a meaning may be given to it, preferable to any of the three mentioned in your paper. The three to which I refer connect the word with "cook-shops," "stables," or some kind of a court-house ("curia"). The arguments brought forward in their favour either arise from the similarity of the words (as "Cury" and "écurie"), or from the probability that either cook-shops, stables, or a court-house existed in the vicinity of the street, whence it might derive its name. With regard to the name "Cury" being derived from the cook-shops in the streets, this seems to have little to do with the question; for supposing there are some half dozen such shops there (which I do not know to be the case), it proves little as to what was the number three or four centuries ago. Secondly, "Cury" derived from "écurie:" this seems unsatisfactory, for, as nothing whatever is known about our former fellows' horses, the argument in its favour simply consists in "Cury" being similar to "écurie." The third derivation is, that "Cury" is taken from "curia," a senate or court-house. This falls to the ground from the considerations, that if it were derived from it we might expect the name to be Parva Cury and not Petty Cury; and if it be derived from it, it implies that there was some larger court existing at that time, in contradistinction to which this was called "Parva Curia." But no larger one (as the advocate of the derivation allows) did exist, so that this derivation meets the fate of the former ones.

The most probable derivation of the word is [195] from the French "curie," a ward or district, which certainly possesses this advantage over the three former ones, that the word is exactly the same as that of the street. The arguments in its favour are these:—In referring to a map of Cambridge dated A.D. 1574, I find the town divided into wards, with different names attached to them. These wards are all larger than "Petty Cury:" in the same map the name is spelt "Peti Curie" (i.e. small ward), both words being French or Norman ones, and the word "peti" being applied to it from its being smaller than any of the other wards. In former times it was not unusual to give French names to the wards and streets of a town, as may be seen any day in London, or even in Liverpool, which is comparatively a modern place. Thus the word from which I propose to derive the name "Cury" being the very same, and not requiring us to form any vague suppositions either about cook-shops, stables, or court-houses, I conclude, may be considered preferable to the three before mentioned.

W. F. R.

Trinity College, Sept. 1. 1851.

THE DAUPHIN.
(Vol. iv., p. 149.)

The communication of your correspondent ÆGROTUS respecting the claims of an individual to be the Dauphin of France and Duke of Normandy, brought to my recollection pretensions of a similar nature made by a person who, about twenty years ago, was resident in London; and was a teacher of music, as I was informed. This person introduced himself to me, in a French house of business, as the genuine Dauphin of France, the second son of Louis XVI. In justice to the soi-disant Dauphin, I should state that he did not bring forward his claims abruptly, but in the course of a conversation held in his presence, relating to the claims of another pretender to the same honours. The communicator of this important intelligence of a new rival to the contested diadem, urged his claims with so much plausibility, and pressed me so earnestly to pay him a visit—seeing that I listened to his impassioned statement with decorous patience and real interest—in order that he might explain the matter more fully and at leisure—that I went to his house in the New Road, where I saw him more than once. He told me that the woman, who had all her life passed as his mother, informed him on her death-bed that he was the Duke of Normandy, and had been confided to her charge and care; and that she was told to make her escape with him by his true mother, Marie Antoinette, when that unfortunate queen eluded the murderous pursuit of her assailants in the furious attack made on the Tuileries on the 10th of August, 1792. So impressed was I by the earnestness of the narrator, and the air of truth thrown around his story—knowing also that some doubts had been started as to the death of the Dauphin in the Temple—that I offered, being then about to visit Edinburgh, which was at that time the residence of the exiled monarch Charles X. and his ill-starred family, to be the bearer to them of any memorial or other document, which the claimant to the rights of Dauphin might wish to submit to that illustrious body. A statement was accordingly drawn up, and sent by me when in Edinburgh, not to Charles X., but to her royal highness the Duchess of Angoulême; who immediately replied, requesting an interview on my part with one of the noblemen or gentlemen of her household, whom I met; and was informed by him from her royal highness, that such communications exceedingly distressed her, in recalling a past dreadful period of her life; for that there was no truth in them, and that her brother, the Duke of Normandy, died in the Temple. With deep and sincere protestations of regret at having been the cause of pain to her royal highness, and made the unconscious dupe of either a knave or a fool, instead of bringing forward an illustrious unknown to his due place in history, I took my leave; and think this account ought to scatter for ever to the winds all tales, in esse or posse, of pretended Dauphins of France and Dukes of Normandy.

I should mention, that in my interview with the soi-disant Dauphin, he showed me various portraits of Louis XVI., and then bade me look at his own features, in every attitude and form, and say if the likeness was not most striking and remarkable. I could not deny it; and in truth was so impressed with his whole account, that I began to look upon the humble individual before me with something of the reverence due to majesty, shorn of its glories.

J. M.

P.S.—I now recollect that the name of this pretended Dauphin was Mevis, and that he was said to have been seen in Regent Street by a friend of mine about five years ago; and may, for aught I know, be still living.

Oxford, Sept. 2.

Replies to Minor Queries.

Visiting Cards (Vol. iv., p. 133.).—In answer to your 87th Query, it may serve in part to help to show "when visiting cards first came into use," by informing you that about six or eight years ago a house in Dean Street, Soho, was repaired (I think No. 79.), where Allison and Co., the pianoforte makers, now of the Quadrant, formerly resided; and, on removing a marble chimney-piece in the front drawing-room, four or five visiting cards were found, one with the name of [196] "Isaac Newton" on it. The names were all written on the back of common playing cards; and it is not improbable that one or more may still be in the possession of Mr. Allison, 65. Quadrant. The house in Dean Street was the residence of either Hogarth or his father-in-law.

A. MITE.

Sardonic Smiles (Vol. iv., p. 18.).

—I beg to refer such of your readers as take an interest in the discussion of "Sardonic Smiles" to a treatise or memoir on the subject, by a learned scholar and antiquary in the St. Petersburgh Transactions for 1851. The title of the memoir is as follows: Die Talos-Sage und das Sardonische Lachen. Ein Beitrag zur Geschichte Griechischer Sage und Kunst, von Ludwig Mercklin. The memoir is also printed separately, from the Mémoires des Savants Etrangers.

J. M.

Oxford, August 4.

Darby and Joan (Vol. iii., p. 38.).

—As no one has answered your correspondent by referring him to a copy of this ballad, I have great pleasure in calling his attention to A Collection of Songs, Moral, Sentimental, Instructive, and Amusing, 4to. Cambridge, 1805. At p. 152. of this volume, the "pleasant old ditty" of "Darby and Joan" is given at length, accompanied with the music. The editor, the Rev. James Plumptre, M.A., tells us that it is "attributed to Matthew Prior." As this book is somewhat difficult to procure, your correspondent is welcome to the loan of my copy.

EDWARD F. RIMBAULT.

Marriage of Bishops (Vol. iv., pp. 57. 125.).

—In reference to the inquiry of your correspondent A. B. C., for any instances of bishops and priests who, during the first three centuries, were married after ordination, I may suggest that the Council of Nice in 325 declared it to be then "an ancient tradition of the Church that they who were unmarried when promoted to holy orders should not afterwards marry."—Socrates, Hist. Eccl., lib. i. cap. ii.; Sozomen, Hist. Eccl., lib. i. c. xxiii.

May not the proper translation in the text which he quotes, 1 Cor. ix. 5., be "woman," instead of "wife;" and might not the passage be more accurately rendered by the expression "sister-woman?" Clemens Alexandrinus says (Stromat., lib. iii. edit. Poterii, Venet. 1757, tom. i. p. 526.): "Not as wives but as sisters did the women go round with the apostles:" and see also Matt. xxvii. 55., Mark xv. 41., and Luke viii. 3.

DORFSNAIG.

Winifreda (Vol. iii., p. 27.).

—LORD BRAYBROOKE has furnished your readers with a very curious list of the various printed forms in which, at different times, this popular song has been given to the world; but he has omitted one which I think ought to be placed on record. I allude to a copy contained in the third number of The Foundling Hospital for Wit, a rare miscellany of "curious pieces," printed for W. Webb, near St. Paul's, 8vo. 1746 (p. 23.). This work was printed in numbers, at intervals, the first bearing date 1743; and the sixth, and last, 1749. My copy is particularly interesting as having the blank names filled up in a cotemporary hand, and the authors' names, in many cases, added. The song of Winifreda is assigned to "Mr. G. A. Stevens;" so that, after all, the Edinburgh reviewer may have confounded George Steevens, the "commentator," with his earlier and equally facetious namesake, George Alexander.

George Alexander Stevens was born (if a MS. obituary in my possession may be relied on) "in the parish of St. Andrew's Holborn, 1710." He died (according to the Biographia Dramatica) "at Baldock in Hertfordshire, Sept. 6, 1784."

EDWARD F. RIMBAULT.

George Chalmers (Vol. iv., 58.).

—The printed books and MSS. of the late George Chalmers were disposed of by auction in 1841 and 1842 by Mr. Evans of Pall Mall. The particular MS. inquired after by J. O. occurs in the third part of the printed sale catalogue, and is numbered 1891. It is thus described by Mr. Evans:

"CHALMERS'S BIBLIOGRAPHIA SCOTICA POETICA, or NOTICES OF SCOTTISH POETS AND THEIR WORKS, from 1286 to 1806, 4 vols. Chalmers's Notices of the Scottish Poetry, Drama, and Songs, 2 vols., together 6 vols.

*** These Volumes contain a great fund of Information, and furnish very valuable Materials for a History of Scotch Poetry. They would also be very useful to Collectors."

Lot 1894. is also highly interesting. It is described as—

"RITSON'S BIBLIOGRAPHIA SCOTICA, 2 vols. Unpublished.

*** A very Valuable Account of Scottish Poets and Historians, drawn up with great care and indefatigable Research by Ritson. The Work was intended for Publication. These Volumes were purchased at the sale of Ritson's Library by Messrs. Longman and Constable for Forty-three Guineas, and presented to George Chalmers, Esq., who had edited Sir D. Lyndsay's Works for them gratuitously."

My catalogue of Chalmers's library, unfortunately, has not the prices or purchasers' names; and the firm of the Messrs. Evans being no longer in existence, I have no means of ascertaining the present locality of the above-mentioned MSS.

EDWARD F. RIMBAULT.

The Three Estates of the Realm (Vol. iv., p. 115.).

—W. FRASER is quite right in repudiating the cockney error of "Queen, Lords, and Commons" forming the "three estates of the realm." The sovereign is over the "realm;" a word which obviously designates the persons ruled. W. F. [197] however does not exactly hit the mark when he infers, that "the Lords, the Clergy in convocation, and the Commons" are the "three estates." The phrase "assembled in Parliament" has no application to the Convocation; which moreover does not sit at Westminster, and was not exposed to the peril of the gunpowder plot. The three estates of the realm are the three orders (états) into which all natural-born subjects are legally divided: viz. the clergy, the nobility, and the commonalty. They are represented "in Parliament" by the "Lords Spiritual," the "Lords Temporal," and the "Commons" (elected by their fellows). The three estates thus meet their sovereign in the "chamber of Parliament" at the opening of every session; and there it was that the plot was laid for their destruction.

W. F. is no doubt aware that originally they all deliberated also together, and in the presence of the sovereign or his commissioners: and though, for the freedom of discussion, the sovereign now withdraws, and the Commons deliberate in a separate chamber (leaving the chamber of Parliament to be used as "the House of Lords," both Spiritual and Temporal), yet to this day they all reassemble for the formal passing of every act; and the authority of all three is recited by their proper names in the preamble.

The first and second estates are not fused into one, simply because they continue to deliberate and vote together as all three did at the first.

The Convocation of the Clergy was altogether a different institution, which never met either the sovereign or the Parliament: but their order was represented in the latter by the prelates. It is another mistake (therefore) to think the Bishops sit in the House of Lords as Barons.

CANONICUS EBORACENSIS.

"You Friend drink to me Friend" (Vol. iv., p. 59.).

—When I was a boy, about sixty-five years ago, Mr. Holder (a surgeon of some eminence at that time) was a frequent visitor at our house, and much amused us by several catches in which (under his instruction) we delighted to join; and among which was—

R. S. S.

56. Fenchurch Street.

Broad Halfpenny Down (Vol. iv., p. 133.).

—Broad halpeny, or broad halfpenny, signifies to be quit of a certain custom exacted for setting up tables or boards in fairs or markets; and those that were freed by the King's charter of this custom, had this word put in their letters-patent: by reason whereof, the freedom itself (for brevity of speech) is called broad halfpenny. (Les Termes de la Ley.) Hence the origin of "Broad-halfpenny Down."

FRANCISCUS.

Whence the name I cannot say, but would just note the fact, that sixteen miles from London, on the Brighton railway, is a breezy upland called Farthing Down. The country folk deem it a sufficiently famous place, and one told me "that was once London;" meaning, a town stood there before London was built. It is a locality well known to those who hunt with the Croydon pack.

P. M. M.

Horner Family (Vol. iv., p. 131.).

—Is it true that the following rhymes apply to one of the Horners of Mells?

The plum being 100,000l. I have been told a long story on the matter by Somersetshire people.

P. M. M.

The Man of Law (Vol. iv., p. 153.).

—The lines so felicitously quoted by Mr. Serjeant Byles at a recent trial were thus given in The Times:

This version is rather nearer the original than that of your correspondent MR. KING, who avowedly writes from memory. The author of the lines was Sir Thomas More. They are thus given in "A Mery Jest how a Sergeant would learn to play the Freere. Written by Maister Thomas More in hys youth:"

My quotation is at second-hand from Warton's History of English Poetry, sect. xliii.

C. H. COOPER.

Cambridge, August 30. 1851.

[We are also indebted to T. LAWRENCE and BARTANUS for replying to this Query. The latter adds, "The poem is given at length in the History of the English Language prefixed to the 4to. edition of Johnson's Dictionary."]

Riddle (Vol. iv., p. 153).

—The riddle (query rebus?) for the solution of which your correspondent A. W. H. inquires, may be found printed in vol. i. pp. 109, 110. of the poems of Dr. Byrom, well known as the author of the "Pastoral," inserted with much commendation by Addison in [198] the 8th volume of the Spectator, and the supposed inventor of the universal English short-hand. The author of the rebus seems to have been then unknown (1765), and it is said to have been "commonly ascribed to Lord Chesterfield." Whether this was asserted in jest, does not appear: but Dr. Byrom, to whom application for a solution had been made, in the course of his reply, given in his own peculiar style, has the following passage, which may be a guide to those who may now seek to arrive at the mystery:—

T.W. (1)

[We are also indebted to R. P. for a similar Reply.]

Speculative Difficulties (Vol. iii., p. 477.).

—As L. M. M. R. is not certain as to the title and author of the book he inquires about, perhaps he may find it under the title of The Semi-sceptic, or the Common Sense of Religion considered, by the Rev. J. T. James, M.A.; London, 1825. This is a very unpretending but very beautiful work, of some 400 pages. The author died Bishop of Calcutta.

O. T. DOBBIN.

St. Paul (Vol iii., p. 451.).

—In answer to EMUN, allow me to name a Life of St. Paul by the Rev. Dr. Addington, an eminent dissenting minister of the close of the last century; a work on the life and epistles of St. Paul by Mr. Bevan, a member of the Society of Friends; and two books by Fletcher and Hannah More on the character of the same apostle.

O. T. D.

Commissioners on Officers of Justice in England (Vol iv., p. 152.).

—I can give no information respecting the commission of July 27, 1733; but on June 2, 8 GEO. II. [1735], a commission issued to Sir William Joliffe, Knt., William Bunbury, Simon Aris, Thomas Brown, Thomas De Veil, Esquires, and others, for inquiring into the officers of the Court of Exchequer, and their fees, "and for the other purposes therein mentioned." I imagine this commission also extended to other courts. The names of the jurors impannelled and sworn as to the Court of Exchequer, July 9, 1735; their oath, presentment, and six schedules of fees, are given in Jones's Index to the Originalia and Memoranda Records (London, fo. 1793), vol, i. Preface, xxxiii.-xliv.

C. H. COOPER.

Cambridge.

Noble and Workhouse Names (Vol. iii., p. 350.).

—I can enumerate several old names, some Anglo-Saxon, in the parishes of Burghfield and Tylchurst, in Berks, belonging to the peasantry, many of whom may have been gentry in bygone years; such as Osborne, Osman, Seward, Wolford, Goddard, Woodward, Redbourne, Lambourne, Englefield, Gower, Harding, Hussey, Coventry, Avery, Stacy, Ilsley, Hamlin, Pigot, Hemans, Eamer, and Powel. A respectable yeoman's widow, whose maiden name was Wentworth, told me she was of the same family as Sir Thomas Wentworth, Earl of Strafford, beheaded in Charles's reign.

JULIA R. BOCKETT.

Southcote Lodge.

Poulster (Vol. iv., p. 152.).

—The meaning of this word is undoubtedly as D. X. surmises. The original term was upholder, which is still in occasional use; next upholster; and, thirdly, upholsterer. In Stowe's Survey of London, it appears in the second form: and so also poulter, which still exists as a surname. "Mr. Richard Deakes, Uphoulster," was buried at St. Dunstan's in the West, London, in 1630. (Collectanea Topog. et Geneal., v. 378.) It would be worth inquiry when the incorrect duplication of termination first produced our modern words upholsterer and poulterer? Mr. Pegge remarks, that "Fruiterer seems to be equally redundant;" and that "cater-er is written cater in the margin of the Life of Gusmand de Alfarache, folio edition, 1622, p. 125. (Anecdotes of the English Language, edit. Christmas, 1844, p. 79.)"

J. G. N.

Judges styled Reverend (Vol. iv., p. 151.).

—Your correspondent. F. W. J., before he receives an answer to his Query, "When did the judges lose the title of Reverend and Very Reverend?" must first show that they ever bore it. By the example he quotes he might as well argue that they bore the title of "Très Sages," as that of "Très Reverend." The fact is, that, as a title, it was never used by them, the words quoted being nothing more than respectful epithets applied to eminent men of a past age, by the editors or publishers of the work. [199]

I very much doubt also whether the style of "The Honorable" is properly given to the judges.

It would be curious to trace the commencement of the practice of addressing a judge on the bench as "My Lord." In the Year Books are numerous instances of his being addressed simply "Syr." Off the bench the chief alone is entitled to the designation "My Lord," and that address can be properly given to the puisne judges only when they are on the circuit, and then because they are acting under a special royal commission.

EDW. FOSS.

The Ring Finger (Vol. iv., p. 150.).

—In the ancient ritual of marriage, the ring was placed by the husband on the top of the thumb of the left hand, with the words "In the name of the Father;" he then removed it to the forefinger, saying, "and of the Son;" then to the middle finger, adding, "and of the Holy Ghost;" finally, he left it as now, on the fourth finger, with the closing word "Amen."

R. S. H.

Morwenstow.

Miscellaneous.

NOTES ON BOOKS, SALES, CATALOGUES, ETC.

The name of Dr. Freund is probably known to many of our readers as that of the most profound lexicographer of the present day, so far as the Latin language is concerned. His larger Latin-German Lexicon is as remarkable for its philosophical arrangement as for the philological acquirements of its author; and of that important and valuable work a translation, or rather an adaption, is now before us, in one handsome octavo volume, under the title of A Copious and Critical Latin-English Lexicon, founded on the larger German-Latin Lexicon of Dr. William Freund: with Additions and Corrections from the Lexicons of Gesner, Facciolati, Scheller, Georges, &c. By E. A. Andrews. LL.D., &c. Dr. Andrews and his assistants have executed their respective portions of the work in a most able manner; and the book, which in its getting up is as creditable to American typography as its editing is to American scholarship, will, we have no doubt, meet, as it deserves, with a most extensive sale in this country.

The Churchyard Manual, intended chiefly for Rural Districts, by the Rev. W. H. Kelke, is a little volume published for the purpose of promoting the improvement of rural churchyards, by giving them a more truly Christian character. It is illustrated with some extremely pleasing and appropriate monumental designs, and contains a judicious selection of epitaphs, and is indeed altogether well calculated to accomplish the good end at which the author aims.

Archælogical Guide to Ely Cathedral; prepared for the Visit of the Bury and West Suffolk Archælogical Institute, Sept. 1851, is a most useful little tract, calculated not only to increase the interest of the members of the Bury Institute, in their visit to the venerable pile which it describes, but furnishing just the heads of information which future visitors will require, and therefore likely to outlast the temporary object for which it has been so ably compiled.

CATALOGUES RECEIVED.—C. Hamilton's (22. Anderson's Buildings, City Road) Catalogue of Books, Portraits, Original Drawings, Local, Historical, and other important Manuscripts; W. Miller's (3. Upper East Smithfield) Catalogue Part 38. of a Collection of Books in the various Branches of Literature.

BOOKS AND ODD VOLUMES
WANTED TO PURCHASE.

• No. 3 of SUMMER PRODUCTIONS or PROGRESSIVE MISCELLANIES, by Thomas Johnson. London, 1790.
• HISTORY OF VIRGINIA. Folio. London, 1624.
• THE APOLOGETICS OF ATHENAGORAS, Englished by D. Humphreys. London, 1714. 8vo.
• BOVILLUS DE ANIMÆ IMMORALITATE, ETC. Lugduni, 1522. 4to.
• KUINOEL'S NOV. TEST. Tom. I.
• THE FRIEND, by Coleridge. Vol. III. Pickering.

*** Letters, stating particulars and lowest price, carriage free, to be sent to MR. BELL, Publisher of "NOTES AND QUERIES," 186. Fleet Street.

Notices to Correspondents.

C. W. If our correspondent lives, as we trust he will, to see our hundredth Volume, we feel assured that what he now considers a blemish he will then estimate very differently.

F. S. The allusion to which our correspondent refers, is to a well-known stanza:

DESPECTUS. Such of the various matters suggested in our correspondent's voluminous communication as are calculated for insertion in our columns shall be introduced as opportunities offer.

RADIX. A diamond Latin Dictionary, by Riddle, has, we believe, been published by Messrs. Longman.

G. M. P., who inquires as to the origin and proper name of the character "&" (and-per-se-and, and-by-itself-and), is referred to our 2nd Vol. pp. 250. 284.

E. A. T. Das Knaben Wunderhorn has never been translated into English. We have no doubt, however, but that translations have been made of many of the pieces contained in it.

LLEWELLYN will find a note addressed to him at our Publisher's.

REPLIES RECEIVED.—School of the Heart—John of Lilburne—Absalom's Hair—Ray and Wray Families—Meaning of Deal—Nightingale and Thorn—The Termination "-ship"—Repudiate—Swinhope—Unlucky for Pregnant Women to take an Oath—The Man of Law—Presteign—Queen's Messengers—Murderers buried in Cross Roads—Sword-blade Note—Petty Cury—Domesday Book of Scotland—Elision of letter V.—Names first given to Parishes—Dole-bank—The Dauphin—Agla—Coins of Constantius II.—Corpse passing makes a Right of Way—Poulster.

Copies of our Prospectus, according to the suggestion of T. E. H., will be forwarded to any correspondent willing to assist us by circulating them.

VOLS. I., II., and III., with very copious Indices, may still be had, price 9s. 6d. each, neatly bound in cloth.

NOTES AND QUERIES is published at noon on Friday, so that our country Subscribers may receive it on Saturday. The subscription for the Stamped Edition is 10s. 2d. for Six Months, which may be paid by Post-office Order drawn in favour of our Publisher, MR. GEORGE BELL, 186. Fleet Street; to whose care all communications for the Editor should be addressed. [200]

Printed by THOMAS CLARK SHAW, of No. 8. New Street Square, at No. 5. New Street Square, in the Parish of St. Bride in the City of London; and published by GEORGE BELL, of No. 186. Fleet Street, in the Parish of St. Dunstan in the West, in the City of London, Publisher, at No. 186. Fleet Street aforesaid.—Saturday, September 13, 1851.

      +---------------+-------------------+-----------+-------------+
      | Notes and Queries Vol. I.                                   |
      +---------------+-------------------+-----------+-------------+
      | Vol., No.     | Date, Year        | Pages     | PG # xxxxx  |
      +---------------+-------------------+-----------+-------------+
      | Vol. I No.  1 | November  3, 1849 |   1 -  17 | PG #  8603  |
      | Vol. I No.  2 | November 10, 1849 |  18 -  32 | PG # 11265  |
      | Vol. I No.  3 | November 17, 1849 |  33 -  46 | PG # 11577  |
      | Vol. I No.  4 | November 24, 1849 |  49 -  63 | PG # 13513  |
      +---------------+-------------------+-----------+-------------+
      | Vol. I No.  5 | December  1, 1849 |  65 -  80 | PG # 11636  |
      | Vol. I No.  6 | December  8, 1849 |  81 -  95 | PG # 13550  |
      | Vol. I No.  7 | December 15, 1849 |  97 - 112 | PG # 11651  |
      | Vol. I No.  8 | December 22, 1849 | 113 - 128 | PG # 11652  |
      | Vol. I No.  9 | December 29, 1849 | 130 - 144 | PG # 13521  |
      +---------------+-------------------+-----------+-------------+
      | Vol. I No. 10 | January   5, 1850 | 145 - 160 | PG #        |
      | Vol. I No. 11 | January  12, 1850 | 161 - 176 | PG # 11653  |
      | Vol. I No. 12 | January  19, 1850 | 177 - 192 | PG # 11575  |
      | Vol. I No. 13 | January  26, 1850 | 193 - 208 | PG # 11707  |
      +---------------+-------------------+-----------+-------------+
      | Vol. I No. 14 | February  2, 1850 | 209 - 224 | PG # 13558  |
      | Vol. I No. 15 | February  9, 1850 | 225 - 238 | PG # 11929  |
      | Vol. I No. 16 | February 16, 1850 | 241 - 256 | PG # 16193  |
      | Vol. I No. 17 | February 23, 1850 | 257 - 271 | PG # 12018  |
      +---------------+-------------------+-----------+-------------+
      | Vol. I No. 18 | March     2, 1850 | 273 - 288 | PG # 13544  |
      | Vol. I No. 19 | March     9, 1850 | 289 - 309 | PG # 13638  |
      | Vol. I No. 20 | March    16, 1850 | 313 - 328 | PG # 16409  |
      | Vol. I No. 21 | March    23, 1850 | 329 - 343 | PG # 11958  |
      | Vol. I No. 22 | March    30, 1850 | 345 - 359 | PG # 12198  |
      +---------------+-------------------+-----------+-------------+
      | Vol. I No. 23 | April     6, 1850 | 361 - 376 | PG # 12505  |
      | Vol. I No. 24 | April    13, 1850 | 377 - 392 | PG # 13925  |
      | Vol. I No. 25 | April    20, 1850 | 393 - 408 | PG # 13747  |
      | Vol. I No. 26 | April    27, 1850 | 409 - 423 | PG # 13822  |
      +---------------+-------------------+-----------+-------------+
      | Vol. I No. 27 | May       4, 1850 | 425 - 447 | PG # 13712  |
      | Vol. I No. 28 | May      11, 1850 | 449 - 463 | PG # 13684  |
      | Vol. I No. 29 | May      18, 1850 | 465 - 479 | PG # 15197  |
      | Vol. I No. 30 | May      25, 1850 | 481 - 495 | PG # 13713  |
      +---------------+-------------------+-----------+-------------+
      | Notes and Queries Vol. II.                                  |
      +----------------+--------------------+---------+-------------+
      | Vol., No.      | Date, Year         | Pages   | PG # xxxxx  |
      +----------------+--------------------+---------+-------------+
      | Vol. II No. 31 | June  1, 1850      |   1- 15 | PG # 12589  |
      | Vol. II No. 32 | June  8, 1850      |  17- 32 | PG # 15996  |
      | Vol. II No. 33 | June 15, 1850      |  33- 48 | PG # 26121  |
      | Vol. II No. 34 | June 22, 1850      |  49- 64 | PG # 22127  |
      | Vol. II No. 35 | June 29, 1850      |  65- 79 | PG # 22126  |
      +----------------+--------------------+---------+-------------+
      | Vol. II No. 36 | July  6, 1850      |  81- 96 | PG # 13361  |
      | Vol. II No. 37 | July 13, 1850      |  97-112 | PG # 13729  |
      | Vol. II No. 38 | July 20, 1850      | 113-128 | PG # 13362  |
      | Vol. II No. 39 | July 27, 1850      | 129-143 | PG # 13736  |
      +----------------+--------------------+---------+-------------+
      | Vol. II No. 40 | August  3, 1850    | 145-159 | PG # 13389  |
      | Vol. II No. 41 | August 10, 1850    | 161-176 | PG # 13393  |
      | Vol. II No. 42 | August 17, 1850    | 177-191 | PG # 13411  |
      | Vol. II No. 43 | August 24, 1850    | 193-207 | PG # 13406  |
      | Vol. II No. 44 | August 31, 1850    | 209-223 | PG # 13426  |
      +----------------+--------------------+---------+-------------+
      | Vol. II No. 45 | September  7, 1850 | 225-240 | PG # 13427  |
      | Vol. II No. 46 | September 14, 1850 | 241-256 | PG # 13462  |
      | Vol. II No. 47 | September 21, 1850 | 257-272 | PG # 13936  |
      | Vol. II No. 48 | September 28, 1850 | 273-288 | PG # 13463  |
      +----------------+--------------------+---------+-------------+
      | Vol. II No. 49 | October  5, 1850   | 289-304 | PG # 13480  |
      | Vol. II No. 50 | October 12, 1850   | 305-320 | PG # 13551  |
      | Vol. II No. 51 | October 19, 1850   | 321-351 | PG # 15232  |
      | Vol. II No. 52 | October 26, 1850   | 353-367 | PG # 22624  |
      +----------------+--------------------+---------+-------------+
      | Vol. II No. 53 | November  2, 1850  | 369-383 | PG # 13540  |
      | Vol. II No. 54 | November  9, 1850  | 385-399 | PG # 22138  |
      | Vol. II No. 55 | November 16, 1850  | 401-415 | PG # 15216  |
      | Vol. II No. 56 | November 23, 1850  | 417-431 | PG # 15354  |
      | Vol. II No. 57 | November 30, 1850  | 433-454 | PG # 15405  |
      +----------------+--------------------+---------+-------------+
      | Vol. II No. 58 | December  7, 1850  | 457-470 | PG # 21503  |
      | Vol. II No. 59 | December 14, 1850  | 473-486 | PG # 15427  |
      | Vol. II No. 60 | December 21, 1850  | 489-502 | PG # 24803  |
      | Vol. II No. 61 | December 28, 1850  | 505-524 | PG # 16404  |
      +----------------+--------------------+---------+-------------+
      | Notes and Queries Vol. III.                                 |
      +-----------------+-------------------+---------+-------------+
      | Vol., No.       | Date, Year        | Pages   | PG # xxxxx  |
      +-----------------+-------------------+---------+-------------+
      | Vol. III No. 62 | January  4, 1851  |   1- 15 | PG # 15638  |
      | Vol. III No. 63 | January 11, 1851  |  17- 31 | PG # 15639  |
      | Vol. III No. 64 | January 18, 1851  |  33- 47 | PG # 15640  |
      | Vol. III No. 65 | January 25, 1851  |  49- 78 | PG # 15641  |
      +-----------------+-------------------+---------+-------------+
      | Vol. III No. 66 | February  1, 1851 |  81- 95 | PG # 22339  |
      | Vol. III No. 67 | February  8, 1851 |  97-111 | PG # 22625  |
      | Vol. III No. 68 | February 15, 1851 | 113-127 | PG # 22639  |
      | Vol. III No. 69 | February 22, 1851 | 129-159 | PG # 23027  |
      +-----------------+-------------------+---------+-------------+
      | Vol. III No. 70 | March  1, 1851    | 161-174 | PG # 23204  |
      | Vol. III No. 71 | March  8, 1851    | 177-200 | PG # 23205  |
      | Vol. III No. 72 | March 15, 1851    | 201-215 | PG # 23212  |
      | Vol. III No. 73 | March 22, 1851    | 217-231 | PG # 23225  |
      | Vol. III No. 74 | March 29, 1851    | 233-255 | PG # 23282  |
      +-----------------+-------------------+---------+-------------+
      | Vol. III No. 75 | April  5, 1851    | 257-271 | PG # 23402  |
      | Vol. III No. 76 | April 12, 1851    | 273-294 | PG # 26896  |
      | Vol. III No. 77 | April 19, 1851    | 297-311 | PG # 26897  |
      | Vol. III No. 78 | April 26, 1851    | 313-342 | PG # 26898  |
      +-----------------+-------------------+---------+-------------+
      | Vol. III No. 79 | May  3, 1851      | 345-359 | PG # 26899  |
      | Vol. III No. 80 | May 10, 1851      | 361-382 | PG # 32495  |
      | Vol. III No. 81 | May 17, 1851      | 385-399 | PG # 29318  |
      | Vol. III No. 82 | May 24, 1851      | 401-415 | PG # 28311  |
      | Vol. III No. 83 | May 31, 1851      | 417-440 | PG # 36835  |
      +-----------------+-------------------+---------+-------------+
      | Vol. III No. 84 | June  7, 1851     | 441-472 | PG # 37379  |
      | Vol. III No. 85 | June 14, 1851     | 473-488 | PG # 37403  |
      | Vol. III No. 86 | June 21, 1851     | 489-511 | PG # 37496  |
      | Vol. III No. 87 | June 28, 1851     | 513-528 | PG # 37516  |
      +-----------------+-------------------+---------+-------------+
      | Notes and Queries Vol. IV.                                  |
      +-----------------+--------------------+---------+------------+
      | Vol., No.       | Date, Year         | Pages   | PG # xxxxx |
      +-----------------+--------------------+---------+------------+
      | Vol. IV No. 88  | July  5, 1851      |   1- 15 | PG # 37548 |
      | Vol. IV No. 89  | July 12, 1851      |  17- 31 | PG # 37568 |
      | Vol. IV No. 90  | July 19, 1851      |  33- 47 | PG # 37593 |
      | Vol. IV No. 91  | July 26, 1851      |  49- 79 | PG # 37778 |
      +-----------------+--------------------+---------+------------+
      | Vol. IV No. 92  | August  2, 1851    |  81- 94 | PG # 38324 |
      | Vol. IV No. 93  | August  9, 1851    |  97-112 | PG # 38337 |
      | Vol. IV No. 94  | August 16, 1851    | 113-127 | PG # 38350 |
      | Vol. IV No. 95  | August 23, 1851    | 129-144 | PG # 38386 |
      | Vol. IV No. 96  | August 30, 1851    | 145-167 | PG # 38405 |
      +-----------------+--------------------+---------+------------+
      | Vol. IV No.  97 | Sept.  6, 1851     | 169-183 | PG # 38433 |
      +-----------------+--------------------+---------+------------+
      | Vol I. Index. [Nov. 1849-May 1850]             | PG # 13536 |
      | INDEX TO THE SECOND VOLUME. MAY-DEC., 1850     | PG # 13571 |
      | INDEX TO THE THIRD VOLUME. JAN.-JUNE, 1851     | PG # 26770 |
      +------------------------------------------------+------------+

End of the Project Gutenberg EBook of Notes and Queries, Vol. IV, Number 98,
September 13, 1851, by Various

*** END OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES, SEPT 13, 1851 ***

***** This file should be named 38491-h.htm or 38491-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/3/8/4/9/38491/

Produced by Charlene Taylor, Jonathan Ingram and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/American Libraries.)


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.net/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.net),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.net

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.